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The irony isn't lost on me - Big Business owns my soul

"We are enslaved by speed and have all succumbed to the same insidious virus: Fast Life, which disrupts our habits, pervades the privacy of our homes and forces us to eat Fast Foods."

-From the Slow Food Manifesto

Carlo Petrini, the founder of the Slow Food movement, is in the US right now promoting his book, Slow Food Nation: A Blueprint for Changing the Way We Eat. This past weekend he came to Chicago to speak as part of the Chicago Humanities Festival, a week long series of lectures, events and arts in early fall focused around a single theme (unsurprisingly, 2007 is environmentally themed).  I had three tickets to his lecture. I purchased them months ago, the moment the event was announced via the Slow Food email. Yes, I am a member of Slow Food, and I have been, off and on, since 1996. I am, thankfully, no longer the youngest person in the room at events.

Slow Food was started by Carlo Petrini as a direct response to the cultural imperialism of the fast food multinationals, who, by providing fast, cheap, convenient and industrialized foods, have out-competed local and traditional foods and foodways, leading to the decline of health, environment and tradition. The organization is active in 50 countries and has over 80,000 members, including 12,000 in the USA, according to the website.

Their mission is summed up in the following, also from the website:

...[O]ur mission is to create a robust, active movement that protects taste, culture and the environment as universal social values.

Sometimes Slow Food events feel more like a fancy dress party than an activist-based organization focused on food. But nevermind. At least they do -with some success - call attention to the plight of declining traditions at the hands of modernization and industrialization, despite occassionally insulting argiculturalists and farmers, historians, artisans  and consumers in the process.

So how sad and ironic was it that I could not attend the Carlo Petrini lecture, one I had planned on attending for two months, because I had to work at the National Restaurant Association Show that same day?

The NRA is the antithesis of Slow Food. It supports big agriculture, fast food, industrial food and just about everything I despise about modern eating habits and foods: speed, convenience, portability. It includes as members commentators in Nations Restaurant News who dismiss the Center for Science in the Public Interest as quacks and praise the right-wing hysteria of the Center for Consumer Freedom as fair and balanced. Sure the CSPI's favorite tactic for promoting change is the lawsuit, but it works and brings attention to the issues at hand, such as added trans fats, companies that market directly to children, obesity in the US and the still-under-regulated supplements industry. The NRA also has two political associations, GO! Network, which helps individuals monitor their legislators' records on restaurant and food-related issues, and NRA-PAC, whose express purpose is to make congress "pro-restaurant." There's also the SAFE Fund, designed to provide money for Big Restaurant to 'fight back' against new laws or proposed legislation that could hurt profit or make financially onerous demands. Here's a blurb from the website:

Save American Free Enterprise (SAFE) serves as a catalyst to mobilize, educate and execute the restaurant industry's political efforts at the state level in cooperation with the National Restaurant Association (NRA), state restaurant associations (SRA), multi-unit companies and allied partners.

This is not a fund for small restaurants, Chef-owned enterprises, or any number of independents who may operate under a different set of beliefs from the NRA and its allies.

The NRA is, in short, a vehicle for big business. It supports the restaurant industry through lobbyists and other political means. It doesn't take a stand on additives or food ingredients or health. Those things only become issues once they reach the 'tipping point' in consumer and operator consciousness and when fighting those issues makes them look bad. The NRA is political, opportunistic and capitalistic to the detriment of public health and the environment. Yes, I'm generalizing, but a walk-through of the NRA show pretty much confirms that any attention the NRA gives to these two issues (and anything else outside of corporate profitability) is lip-service. Additionally, at last year's show, the speaker of honor was, guess who, George W. Bush.

Sure, the NRA features well-known chefs who do demos during the show, and also sponsors some culinary scholarships and contests, but at its heart, the NRA is a conservative industry group with strong ties to our current administration.

Yes, I'm part of the problem as a big food employee. And just like people who ride planes and drive cars and buy carbon offsets to ease their consciences, I'm going to give to Slow Food's Annual Fund to balance out the evil I am helping to visit on the world. And you should too!

Mindy Fox: Cooking Sustainably outside the Restaurant

Name: Mindy Fox

Job: Cookbook Author, Journalist, Editor and Food Stylist

Culinary Training: Self-Taught

Several years ago Mindy Fox, a Salamander Restaurant-era friend who still cooks professionally, albeit as a cookbook writer, editor and food stylist, called me with a dilemma. After a successful dinner party, one of her guests, an aspiring private chef and caterer, had emailed Mindy a link to her website. Mindy was surprised to discover that her dinner party menu had somehow found its way onto the guest's website as an 'original' menu. Feeling plagiarized, Mindy wanted to know what I thought she should do. I could only register my disbelief. With little recourse for dinner party plagiarism, Mindy opted to strike the offending guest from her invite list. A worse punishment is unimaginable; Mindy Fox really knows how to throw a dinner party.

I took a picture of Mindy's refrigerator during a recent visit to Mindy's home:

gnocchi and new york jan 07 116

Mindy does the majority of her shopping at the Farmers Market in Union Square. For Mindy, this isn't just a trend or fad; as long as I have known her, this is how she approaches food - sustainably and with respect.

Mindy's approach to food and cooking was developed over her professional career. When I met Mindy in 1996, she had already been cooking for several years. Mindy's life in food began by chance. A recent college graduate unsure about her career path in a struggling recessionary economy, she took a job as a server at the Casablanca restaurant in Cambridge, MA. She spent long hours in the kitchen walk-in, talking with the chef about food and learning about the ingredients. After many months, she decided that she wanted to be in the kitchen, not just serve food. The chef advised her to find work in a place that would provide broad training and help develop her skills. She found work at a busy, high-end catering company and stayed for two years.

Yearning for greater challenges, she took a job as a line cook at Salamander and worked her way through every hot station in the restaurant. After 2 years there, she was ready for more responsibility and left to take a sous chef position at a boutique catering company. Over the next several years, she held catering jobs, private chef positions and freelance chef positions. While she loved working with food, adored the adrenaline rush, the choreography and craft of cooking, and the order and organization around preparing and serving food, there was something missing.

Contemplating a career change, she talked with a friend who told her to look around her apartment and tell him what she saw. Copies of Saveur Magazine were strewn about the house. "Then go get a job at Saveur," he advised. She laughed. There was no way she could get a job there, she thought. All the same, she decided to go for it. It was a long shot but it was worth trying.

An informational interview and a formal interview later, Mindy packed up her apartment and moved to New York for an unpaid 6 week intership in the editorial department at Saveur. Two weeks later, a position opened up and Mindy was hired as an assistant editor - her dream job. Beside exposure to some of the best food writers and editors in the industry, Mindy connected with people and organizations deeply involved with the sustainability movement - in particular, Earth Pledge, which supports sustainable architecture and design and sustainable agriculture and cuisine. Two years later, Mindy left Saveur and joined Earth Pledge as communications director and head of the sustainable cuisine program.

Over the next three years, Mindy built their Farm-to-Table sustainable resource, which provides a single source to locate farmers, vintners, artisan food producers in the US, which will be expanding beyond the original New York and New Jersey area to include 25 metropolitan areas thanks in part to a grant from Food & Wine magazine. Mindy still is involved with the foundation as a member of the Farm-to-Table board of advisors.

Perhaps the most serendipitous work Mindy did while at Earth Pledge was to interview Samuel "Sambo" Mockbee, MacArthur fellow and the founder of the Rural Studio. The interview was included in the Sustainable Architecture White Papers, published by Chelsea Green in 2001. Although I'm not sure of exact details, I know Mindy became close to Sambo and his family. Tragically, Sambo passed away less than a year after the white papers were published. Mindy, devastated by the loss of her friend, spoke at his memorial, where she made the acquaintance of one of Sambo's proteges, Steve Hoffman. She knew within a month that he was 'the one'. They were married in 2003.

Mindy now edits, writes, develops recipes, and does food styling as a freelancer for magazines, including Food & Wine and Everyday with Rachael Ray. She has ghostwritten 3 well-known cookbooks and has edited others. She has developed recipes for books by Chris Carmichael, Lance Armstrong's personal trainer. Her current project,  a collaboration with Chef Sara Jenkins, daughter of Nancy Harmon Jenkins, will be the first to give her marquee credit as a co-author. The Elements of Flavor will be published by Houghton Mifflin in 2008. She is also working on a book with Karen DeMasco, pastry chef at Craft in New York City.

Mindy's husband Steve, meanwhile, has been growing his architecture practice in New York City. He renovated my mom's kitchen and even managed to use some sustainable materials (despite her lack of interest in saving the world).

Mom has become friendly with Mindy and Steve and so when we recently were visting New York, they invited us over for dinner.

Here are some images from that night.

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The porgy and mackerel she made was fantastic - so simple, prepared with fennel greens parsley, lemon and garlic and salt and pepper. She served a gorgeous salad and a farro and fennel heart side.

Gnocchi_and_new_york_jan_07_144

Dessert was pecorino and pears with local honey.

Gnocchi_and_new_york_jan_07_161_1

Is there a place for women in the professional kitchen?

gnocchi and new york jan 07 114

This afternoon I hosted two incredible culinary friends in my house for a brief visit. All three of us had been cooks, and none of us were currently employed by a restaurant, yet all remain firmly entrenched in the world of food. Mindy is a cookbook author, food journalist, and food stylist, and Gail is Food & Wine Magazine’s Aspen event majordomo and a judge on one of my favorite food tv shows, Top Chef. As we discussed the next round of Top Chef casting, I mentioned to Gail that I had received a mass email from Women Chefs and Restaurateurs (the WCR) asking members to consider applying to be a contestant on the show. I deleted the email immediately – I haven’t cooked professionally in years and value my privacy. The idea of being a competitor in an internationally syndicated show horrifies me.

I had forwarded the email to a few people, but no one took it seriously. Most of my girlfriends who cooked have long since quit the restaurant kitchen, and no one has any interest in going back, star chef craze or not. “I really would like to see more female contestants,” Gail said. “We want women who can really cook, who are actually experienced. I’d love to see a woman be the next Top Chef. But we just don’t have enough women trying out. Sure, we get lots of 21 year olds just out of culinary school, but they aren’t ready.”

And then the conversation stopper: “There just aren’t a lot of women with a ton of experience trying out for the show. Just look at us. All three of us (Mindy, me, gail) have quit the kitchen, probably all for the same reasons.”

What were our reasons? I know why I quit: boredom, lifestyle, income, and a repetitive stress injury, as well as intolerance of the gigantic kitchen egos of my colleagues.

But I had no idea those factors would drive me away from cooking as a profession when I left culinary school to pursue my chef dreams.

Name: Linsey

Job: Innovation in a major food company

Culinary Training: New England Culinary Institute, Vermont

My first internships had been good learning experiences – I worked in the fairly intellectual but frustratingly political kitchen at Salamander Restaurant in Cambridge, MA, and then later in the uppity and cliquey Hamersley’s Bistro in Boston. Over the course of the year, I worked as a pastry extern, as a prep cook, and as a line cook. I had no desire whatsoever to return to the pastry shop after a searingly bad experience working under Arnis, who seemed to have an axe to grind with everyone in the kitchen. He bullied and insulted and used silence to intimidate. I despised every minute in his pastry shop and prayed I would get hit by a bus on my way to work each day. He made me pit cases of cherries, a task that took only a day but caused a year of shooting pain and caused permanent damage to my wrist. He didn’t care. He seemed incapable of empathy.

After 6 months the chefs allowed me to move into a line position, where I was finally freed of Arnis’ tyranny. The move to a new station (hot and cold appetizer), combined with a healthy dose of psychoactive medication made life at Salamander enjoyable. In the mornings I worked at a café on the other side of Cambridge as a prep cook. I’d bike over to work at Salamander and start all over again. The 16 hour days were getting to me, and my boss at the café knew it. She knew the owner of Hamersley’s for a number of years and made a call on my behalf. The next day I was there, interviewing for a structured internship. The pay would be $9.00 an hour, which was significantly more than the $6.50 I was earning at Salamander. There was a weekly rotation, with turns in the pastry kitchen, the open line (a hot station where soup and small appetizers were produced), and the prep station. It sounded like a good deal, and a huge change from the work I was doing at Salamander. So I jumped ship…which only later turned out to be a very bad idea.

As an intern in Hamersley’s, I had to learn everything all over again – new dishes, new people, new rules, new plate ups. Things started out well – everyone, initially seemed pleased with my performance. And then one day, they weren’t. A soup was sent back because a strand of my hair somehow escaped my braided ‘do and made its way into the dish. I knocked over a $50 bain marie full of sherry reduction and glace de veau. I fell down the stairs with a lexan full of ingredients. I made family meal for the staff on Sunday nights, and forever lived in infamy after putting out a pizza made with cream cheese, curry, and anchovies (I was only allowed to use leftovers). I didn’t get along with a number of the cooks, who made no attempt to hide their contempt for me. Someone decided to tell the chefs that I was ‘disparaging the restaurant’. The three sous chefs along with the Chef called me in to a private meeting to confront me. When I asked what they heard I said, no one could give me an answer. I scratched my head trying to figure out what I possibly could have said, but never figured it out. Did offering a scoop of ice cream to a server constitute an affront to their sensibilities? Was I too candid? Or was someone just looking to get me in trouble? It was horrible.

But it wasn’t only bad for me. I remember giving one of the waitstaff a small sampling of something I was preparing in the kitchen. She was caught by the chef who figuratively boxed her ears as he accused her of ‘stealing’ from him. His success came from offering a product people liked eating and managing a very tight inventory and labor schedule. If you wanted to eat family meal, you had to clock out first. There was no eating on the company dime. Inventory was managed with pathological thoroughness – by Sunday night, there was almost nothing left in the downstairs refrigerator where all the ingredients and mise en place were kept.

The one perk we did enjoy was a ‘once a menu’ dinner on the house. Every time the menu changed, the cooks were allowed to come in – with one guest – and eat a comped meal. It was a small pay off for a lot of suffering.

What astonished me the most was the line was run on Sunday nights, when the chef was off, usually at his weekend house. One of the chefs de cuisine ran the restaurant with unusual latitude, allowing us a psychological break from the tyranny of the chef. But in place of the chef was a strange pecking order, one which I still cannot understand, even in retrospect.

You see, other than the Chef de Cuisine, there were no other men in the kitchen. It was five women and one man – something I had never experienced before. I expected bonding, sisterhood, and fun. Instead there was cattiness, anger, and jockeying for status. With horror I watched as a friend who worked the station next to me flailed – she was, it seemed, always “in the weeds” – and the cooks stood back and watched. No one jumped on her station or helped her out. They just leaned back, clicking their tongs, and watching. I didn’t have the skills at that point to help out, so helplessly I watched. In all fairness, she didn’t ask anyone for help – in part because she knew the others disliked her, and, more likely, because she didn’t want to look weak or incapable. She was fired three months later. They didn’t offer an excuse – they didn’t like her and they dismissed her without warning.

It was more than I could take. I decided that I couldn’t stay there – I needed to go back to culinary school and finish my degree and the atmosphere was killing me. After a quick – and horribly insulting – exit interview with the chef, during which he said, in the worst sense, that I had a “long long way to go, and that if anyone asked, [I was] an intern at Hamersley's, [I] was not a regular employee,” I was back to school. Don't worry Gordon, I never told anyone that I was one of your cooks. I would have sooner shot myself in the right hand or stuck it down the disposal and flipped on the switch.

Six months later, my coursework complete, I showed up at David Kinch’s restaurant as a six-dollar and hour intern, both hands intact. I was ready to take my place on the line…and then I saw the kitchen. It was tiny, with barely enough room for the four cooks who were there at night to put out the seasonal, French and Spanish-influenced California cuisine Sent Sovi was known for. There was no room for me on the line, no room for me on even the salad station. The only place where I could be fit in was the pastry shop. Just a week before I arrived the pastry chef gave her notice; she was leaving to take a more lucrative job as a pastry chef at a country club. With only internship experience in the pastry shop, and a solemn vow to never bake again, I was suddenly thrust into a position I was not ready for – the sole pastry chef at Restaurant Sent Sovi.

As soon as I completed my internship hours and was given a full-time job, Sous chef Kajsa Dilger took me aside to tell me that I needed to avoid the trap that so many women in cooking fall into – the pastry track. She criticized women who went into pastry. It was typically girlie, and in her mind, a culinary cop-out. She urged me to push to get out of the pastry shop, to find another job as a line cook, to be better than the average culinary grad. I heard her…but I felt helpless. I was actually starting to enjoy my work as a pastry chef. Kinch gave me all the space I wanted to create signature desserts, as long as I kept his favorite tart on the menu. It was a fair trade. But I still couldn’t make it work for me, working as a pastry chef without a mentor.

I ended up taking a job at the Four Seasons under an eccentric Austrian who had been trained under the apprenticeship system. I worked for him for more than a year, but didn’t enjoy my work there. We were short staffed, and I worked nearly 16 hours a day during the holidays. He was an unhappy guy and took out his frustration on the cooks. I started getting bored, and one day, after a fight with him, he switched my schedule and job description and made me the overnight baker. For two weeks I went to work at 11 pm and finished at 7 am. It was hell, and it was a cruel punishment for my insubordination. Was I so awful a person that the only way to deal with me was to exile me to the night kitchen? The executive chef didn’t think so – he brought me with him to the Beard House in New York city to play the role of pastry chef at his big debut dinner. That just made things worse with the Austrian.

Soon thereafter I asked to be transferred to the hot line…and was given the fish station.

I was bored. I was bored to death. I was bored of the routine, of the days that blended together, of the mindless work involved in prepping mise en place, cooking a meal, and breaking down the station. I didn’t like the social life, felt isolated by my work hours, and didn’t really relate to the guys on the line, who poured corn starch down their pants before service so they wouldn’t chafe. I wasn’t challenged, and there wasn’t anything I could do about it. Sometimes I screwed up; my ability to cook skate was laughable, and I struggled to cook it without it falling apart. Sometimes I banged pans after putting up a dish, just to vent. That earned me the ire of the executive Sous Chef, who told me never to do that again. I was bored, so bored.

And so I got a second full-time job…which led me a career in cheese and away from the kitchen. I have never regretted that decision, but I have wondered if my experience was typical of women everywhere or just me?

Never once did I think that the way I was treated had anything to do with my gender. I was never given special treatment, and had all the same opportunities as my male colleagues. And yet in the long run, despite my love of food and cooking, found the kitchen to be frustrating, repetitive, and unfulfilling. Was that something other women experienced, or was that a special ‘me’ thing? Why, I wonder, do so many women quit the kitchen? What is it about line cooking that drives women away from cooking and toward other career paths? Is it the work or the environment? A combination of the two? Something completely different? And why is it that of all my female friends who cooked, only one, Michelle, is still in the restaurant kitchen?

Almost every serious cheese person I know cooked at some point. Many of my colleagues from Artisanal cooked – when I was a buyer there, everyone who worked in the caves had a culinary degree and started out in the kitchen. Many of the cheese buyers I knew from Whole Foods were disillusioned ex-chefs and cooks. What drove them out? Why did they quit?

In the next few months, I intend to find out. If you are a lapsed cook, I’d love to know what made you leave the kitchen. And are you happy that you did?